A different approach on learning how to carve
Sep 05 2017 0 Comments
- In person at a class
In-person craft classes provide the opportunity to a teacher (and your classmates) to observe you carving and suggest ideas and techniques to improve. It's certainly the best means of instruction. But nowadays many carving programs (like the Craft Students League) have closed, and realistic carving and decorative architectural woodwork have gone out of fashion. Longer work hours may make evening classes difficult, even if you are lucky enough to live near a class.
- From books and magazines
This is a fine way of learning and still has tremendous value. Carving magazines are a great source of ideas and designs, overviews on tools, and written instruction. They fall short, however, because a picture or drawing, even a before-during-and after picture, cannot always illuminate the particular misunderstanding a student has on a specific area.
- From videos
DVDs are the best of the video presentations. You can see the project being made, and things that are hard to understand on the written page can be easily demonstrated. Professionally shot and edited videos, traditionally 45 minutes or longer, are expensive to make and generally designed for linear watching on a computer (or old school DVD player). Increasingly this is not how people consume "content" - viewers expect to be able to find short videos focusing on particular issues that can be watched on a phone or tablet.
Here comes the new method:
A couple of years ago, Chris Pye set up a subscription website to teach carving. The site now offers several hundred videos, all short. You can watch them in a curated sequence, or individually to answer a question, or randomly to see what's up.
But, "Why would I pay for video when I can get it all for free on YouTube?" This is a valid point. There are three main advantages to subscribing rather than viewing on YouTube.
First:
The first reason is coherence. If perchance you were to wake up one morning and have a burning desire to make a nameplate, you might type "how to carve letters into wood" into YouTube. You would immediately get a list of credible videos. Some might be good, but most topics get a mix of good, off-topic and waste of time. You could probably muddle through and learn a bit.
But this isn't what really learning carving is about. It's a question of coherence. A good teacher will want you to understand sharp tools, which tools, lettering fonts, basic technique, and then more complicated approaches. The whole point of a website devoted to teaching carving as taught by one person is to get the benefit of your instructor's worldview and best practices. You get the sequence of lessons you need to really master the breath of a skill, and—because all the lessons are taught by the same person or school—the approach is consistent. YouTube, for all it's many wonders, gives a platform for every approach and method on the planet, and consequently it lacks consistency and depth. It's not the only way to learn, there are several excellent sites on learning to carve via subscription.
Second:
The service that you get with a subscription is that you can ask questions. If you have a problem you can email Chris and get answers.
Third:
Support and belonging. By supporting a teacher's subscription service, you enable more videos to be produced. The money goes straight to the teacher and goes a lot further. Because there is a revenue stream, production values are professional, and the topics covered can have both breadth and depth. And at the same time you are belonging to something. The school of carving that Chris has established, even though it's virtual, has a style and a method, and you now have studied and learned in the same way as all his other students.
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